Public Art/Sing for Hope Pianos


"To New York With Love In Loss"

2017 Sing for Hope Pianos

This year I wanted to create a piano that acts as a love letter and homage to the NYC subway. I've been in love with the NYC subways since I moved here 8 years ago. I think it perfectly represents the energy, diversity, and amazing mixture of history-laden solidity and the constant change and fluidity of NYC. Using multiple materials (including collaged newspapers, acrylic photo transfers, paint and drawing techniques) I created a somewhat surreal and disjointed world that highlights the labyrinthine architectural world of the subway system- tunnels, platforms, and trains - with a mix of realistic and abstracted people/portraits layered into this landscape. Found text (in the form of New York Times articles and advertisements from June 2016 and February 2017, subway advertising, and pieces of the post-election, subway therapy post-it wall) is layered under and into the piece as well. 

I initially wanted to capture the diversity of the people who rely on this transportation system and how it can create both intimacy and anonymity. However, given current events - which for me were full of personal and national loss - I found myself imagining what these spaces would look like without all of us and the emptiness and decay that would result from our absence. I found myself painting empty stations and trains filled only with shadowy figures overlaying stories and images of a bustling and turbulent metropolis. Some sections are clear cut and unflinchingly realistic while others blur and shift, allowing the viewer to fill in the gaps in the visual story. 

If you wait and watch, you will find all of humanity in the NYC subway. It is glorious, ghastly and everything in between, and I wouldn't have it any other way. I created a piece that lets us reflect upon NYC as personified by this shared space and to recognize that all of it - the good, the bad, and the indifferent - is what makes us who we are - vital, flawed, and necessary.

For those of you interested in the evolution of the piece, here is a slideshow of the progress pics I took throughout the process. When the piano hits the streets in June I'll add street pics. Enjoy!

"Operation Freedom"

2016 Sing for Hope Pianos

Piano created on behalf of The Eric + Jessie Decker Foundation/Deckers Dogs

I created this piano for The Eric + Jessie Decker Foundation/Deckers Dogs.  The Eric & Jessie Decker Foundation, through its fundraising efforts and community outreach, strives to positively impact the lives of United States military service members and veterans as well as animals. EJDF is committed to service to those who have served us via Deckers Dogs, which helps fund the rescue, care and training of service dogs for military veterans returning home with disabilities. For more information, visit their website at

Here are some images of the piano in progress as well as images from its time on the streets (Liberty Plaza & Central Park, Literary Walk).



2015 Sing for Hope Pianos

Reflection - The act of reflecting or the state of being reflected. Something, such as light, radiant heat, sound, or an image, that is reflected. Serious thinking or careful consideration.

Transformation - The act or an instance of transforming. The state of being transformed. A mapping of one space onto another or onto itself.

I was working on a series about dreams and visions, and my concept for this piano emerged from that. The design for this piano combines imagery and symbols of imagination, reinvention, vision, and reflection. Mirrors of different sizes are affixed in varying patterns around the piano. The mirrors become many things including the pupils of eyes, whole faces, and parts of peacock feather and butterfly wing patterning. Sculpted, textural elements and carefully laid glass add to the landscape of the piano. The entire design is a whirl of colorful abstracted faces, feathers, and other forms connected by fluid black lines. All of these images and shapes morph into and out of each other with pieces of the real world reflecting out of them and absorbing into them - a mix of the surreal and the mundane. You can get up really close and see yourself or catch fragments of the world behind and above you even as you sink into the world of the piano. People are constantly feeding off what we see, hear, and experience, and we reinvent ourselves in ways small and large in response. It is my hope that the piano will capture some of the fluidity, joy and strangeness of reflection and transformation: of seeing ourselves and our surroundings in another context.  

My piano was located under the DUMBO Archway from June 5, 2015 - June 21, 2015.  A big thank you to the DUMBO BID for taking such good care of the piano and for arranging so many wonderful events with and around it.  Special thanks also go out to all the Sing for Hope staff and interns, my fellow piano artists, and to everyone who contributed to my Indiegogo campaign.  I could not have made the piano without you.  Thank you!

UPDATE: Reflection/Transformation has found it's forever home! It is now residing in NYU's Hospital for Joint Diseases in the Rusk Rehabilitation Unit. 

Here is the evolution, in pictures, of my 2015 Sing for Hope Piano "Reflection/Transformation" from concept sketch to it's life on the streets:

Super Bowl XLVIII Piano

2014 Sing for Hope Piano

In late 2013 and early 2014 I had the priviledge and pleasure to work with 11 students from Sing for Hope's arts education classes to create a New York themed piano for display at the 2014 Super Bowl! The NFL had requested a New York themed piano so I had each of the students tell me what their favorite part of NYC was and why. Using source images of the places they chose, they designed (singly & in teams) compositions of those places, transferred them to the sides of the piano & painted them (most of them in under 4 hours).   I connected all of their pieces with silhouettes I added of people going about their lives.  The NY masses! People watching was an activity mentioned by a good half of the students and, as it's one of my favorite activities, it seemed appropriate to have the piano crawling with people. 

I designed and painted the composition on the top and front of the piano depicting Times Square. Since all of the students were such rock stars, I decided they all needed to have their faces on billboards in Times Square - or at least on my piano version of Times Square.  So I painted all of their portraits on the top of the piano.  I painted 13 portraits in TWO DAYS! That's a personal record for me.

Here are images of the piano in the studio where we worked on it.  Images here are a mixture of my work and the students work. 

"What Dreams May Come"

2013 Sing for Hope Pianos

"What Dreams May Come" was my first Sing for Hope Piano.  I envisioned a piano covered in intertwined faces and bodies with hints of a fantastical landscape behind, in, and through it.  To create it, I cast the faces and limbs of adults and children from all over NYC using plaster bandages and attached the casts to the piano.  I then created additional texture with super heavy gesso.  The piano was then painted with acrylics - connected throughout by the deep-blue line work that became tree branches, waves, flares of sunshine, and swirling winds, winding through this dreamscape. 

The piano was installed at Herald's Square and Lincoln Center in June of 2013. See the slideshow below for process and on the street pics.